A vulture watches a starving child in Southern Sudan, March 1, 1993. Photograph by Kevin Carter
Kevin Carter started his career as a photographer in 1983, soon taking a great interest in moving his mission to the South African political chaos and violence. [3] In 1994, the above photograph by Kevin Carter won a Pulitzer
Prize for Feature Photography. While photographing
in Sudan near a small village, Carter stumbled upon an extremely malnourished
child limping to a nearby food station. As she stopped to rest, exhausted, a
vulture landed close distance near her to watch. As Carter quoted himself, “It may be difficult for people to understand,
but as a photojournalist my frist instinct was to make the photograph. As soon
as that was done and the child moved on, I felt completely devastated. “ [1]
In March of 1993, The
New York Times published the photograph. Immediately afterwards, Carter was
met with harsh criticism and shocked reactions. Though it was confirmed that
the child did make it to the food station, it was not clear what had happened
to her next. Carter was criticized as a “predator”
and a “vulture” himself, for wanting to take just the right shot of the little
girl’s suffering. The St. Petersburg
Times reported that Carter “might as well just be a predator, another vulture
on the scene”, [2] implying that he could have helped the girl and not solely just
documenting the scene.
What many did not know at the time of the photograph was
that during this period, photojournalists were forbidden to touch or assist
victims of famine in order to prevent the spreading of disease. What is also interesting is that amount of
blame that was placed on the photographer himself here, and not the fact that
this kind of suffering was happening not just to this young child but in the
entire country.
Ultimately, Carter’s time photographing the suffering of people
(including photographs of violence, public executions, and wide-spread devastation
to the African region) was finally too much for him to handle. Following the death of a close friend and
photojournalist Ken Oosterbroek who was
also working to document the violence of Apartheid, the trauma over the horrific scenes he
witnessed and ultimately having it affect his friend, he committed suicide on
July 27th, 1994 by carbon monoxide poisoning. This was
soon after winning his Pulitzer Prize. Details from his suicide note read “I’m
really, really sorry. The pain of life over rides the joy to the point that joy
does not exist… depressed… without phone… money for rent… money for child
support…money for debts…money! I am haunted by the vivid memories of killings
& corpses & anger & pain… of starving or wounded children, of trigger-happy
madmen, often police, of killer executioners… I have gone to join Ken if I am
that lucky.” [4] Carter and these other photographers were wiling to risk injury or
death to get the compelling photograph, because of their great sense of mission
and the ability for photographs to increase public awareness and international
action. For Carter, the emotional impact
of what he witnessed was too much to handle.
People were so quick to label him a vulture, but no one took
into account the degree of suffering in Sudan. On my own thoughts on the photo: I think what
makes this unique from other photos taken of portraits of the victims
themselves is that a looming, threatening presence is there, in front of the
camera lens, waiting. The vulture knows nothing of war, or famine, or the
suffering of others; to it the small child could just as easily be a dying fox,
dog, or bird. A very obvious and
understandable reaction when first seeing the photo is “What happened to the
child?”, followed by “Could someone have stopped this?”. In this case, the
photographer ends up being the one to point blame at; for the photograph
triggers such a feeling of helplessness in people that perhaps in a way,
channeling the anger towards Kevin Carter was easier than trying to understand
the troubling circumstances not as obviously pictured.
[1} Quote from Kevin Carter in The Death of Kevin Carter, a documentary film by Dan Krauss,
excerpted from http://www.npr.org/templates/story/story.php?storyId=5241442
[2] The Life and Death of Kevin Carter: “Visiting Sudan, a
little-known photographer took a picture that made the world weep. What happened
afterward is a tragedy of another sort” excerpted from http://www.thisisyesterday.com/ints/KCarter.html
[3] http://www.nytimes.com/1994/07/29/world/kevin-carter-a-pulitzer-winner-for-sudan-photo-is-dead-at-33.html
[4] Kevin Carter: The Consequences of Photojournalism http://www.fanpop.com/clubs/photography/articles/2845/title/kevin-carter-consequences-photojournalism

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